霍夫曼花园，1998年开始，只是MVVA和视觉艺术家之间的许多合作之一。该景观毗邻一个博物馆，该博物馆藏有该国当代抽象艺术最好的私人收藏之一，涉及一个花园和艺术家Sol Lewitt的主要新作品的创作。 MVVA与Lewitt在整个设计过程中密切合作，享受公开讨论和协作的过程，最终形成一个综合的景观愿景。由Lewitt构思的弯曲的砖墙和编织成成熟的红橡木和山核桃树的树丛由MVVA仔细详细描述，以避免树根，并确保他们的庄严的檐篷继续从强烈的德克萨斯州的阳光下的花园。
        在由树冠的光和阴影的模式定义的地面上，MVVA种植混合本地灌木的手势扫描和反射墙的曲线的多年生颜色的大胆的飞溅。花园由倾斜的红砖墙组成，通过种植和中央草坪，连接画廊，房子和墙壁。
         Hoffman花园展示了当艺术家和景观设计师在共享空间上合作时可以实现的壮观的结果。 MVVA与许多当代艺术家成功合作，这些视觉产生的综合艺术景观总是远远超过它们的部分的总和。

            The Hoffman Garden, begun in 1998, is just one of many collaborations between MVVA and a visual artist. The landscape, adjacent to a museum housing one of the finest private collections of contemporary abstract art in the country, involved the creation of a garden and major new work by the artist Sol Lewitt. MVVA worked closely with Lewitt throughout the design process, enjoying a process of open discussion and collaboration and ultimately producing an integrated landscape vision. The sinuous brick wall conceived by Lewitt and woven into a grove of mature red oak and pecan trees was carefully detailed by MVVA to avoid the trees roots and to ensure their stately canopies continue to shade the garden from the intense Texas sun.

        On the ground defined by patterns of light and shade cast by the canopy trees, MVVA planted gestural sweeps of mixed native shrubs and bold splashes of perennial color reflecting the curves of the wall. The garden is united by angled stone paths coursing through the plantings and central lawn, and connecting the gallery, house, and wall.

        The Hoffman Garden illustrates the spectacular results that can be achieved when artist and landscape architect collaborate on shared spaces. MVVA has worked successfully with many contemporary artists, and the integrated art landscapes that these visions produce are invariably much more than the sum of their parts.